Show Us Your Iray Renders. Part VI
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Comments
Portrait 17
2017_oct09
Playing around with dforce.
Ha, thank you! After- Salvatore is in the waiting list. No date yet. Still working on Giovanni; just finished his facial HD aging morphs and about half way done with his skin at this point.
A couple of my newest additions to the gallery:
Biotic Fury
Very cool.
Just nabbed DG's Fur shader, quick experiment that turned long because I forgot how annoying Genesis Supersuit's 3 billion mat zones could be:
I love some of the vivid weirdness of V4 skins (Tanwen, here)
"Mystery". Original render and postworked one.
Nice work
Nice render. It looks like something out of Supernatural.
A friend of mine asked me for a Tarzan image awhile back, but I always struggled with a believable jungle setting. Finally found a good HDRI that does the job nicely.
A return to hybrid rendering, The figure is rendered in Iray, the hair in Blender's Cycles. Blender now has a shadow catcher which makes compositing the 2 images positively trivial, I might be back to doing ths more frequently
Guess which took less time to render, the hair or the skin? (its the hair, it took 18 minutes, which, given how many strands there are is positively mindboggling)
Girl & Skulls
Eye Candy morph for Aiko 7
The postworked image looks like you're really there, walking down the road and wondering why there is an unattended car just sitting there. Wonderful job.
Ty all.
Cool stuff everyone
Soft
Just finished this one. An almost total redo of the Deco Club Exterior.
Early Night
It isn't really obvious, but I used dForce on the dress.
I like how you brought out the skin details here. The main Daz folks are often accused (and in some renders are definitely guitly) of looking a bit too smooth, but not here. Eyes have nice depth too
...Aaaand I'm back at expirimenting with skin settings (speciifically Chromatic SSS) and trying to get a handle on the G8 eyes. Only thing thats still really bugging me is how the lacrimal doesnt blend into the sclera, but that might be in part to the textures (I'm hoping)
I'm also becoming an evangelist for rendering in mostly enclosed spaces rather than voids. Even if its just a cube as in this instance. Its slower, but all the reflected light really does help add a certain sense of realism
Also, I love short hair. I can make it in blender and convert it to mesh and the file size will stay reasonable
Thank you! I've been working on custom materials for a long while now.
I really like your image too, the hair is gorgeous and skin and eyes look pretty close to photorealistic, plus great lighting setup. I amd going to have to try putting portrait renders in a box.
If not a box I find even just a floorplane helps. I tend to have fairly stong lighting from the top so if there isn't anything on the floor bouncing light back It can just feel "off". Much like skin I feel like light is one of those things viewers have seen so much of in the real worldTM so even if they don't know why something looks "off" there subconsious is very good at telling them when it is
I do most renders on an L shaped backdrop (floor and back), its a good compromise as the cube definitely takes longer to clear up.
I'm also probably way more obsessive about bounce light and lighting in general than most people though, The degree to which I get excited about well lit trees in the real worldTM is possibly unhealthy
dForce doing cool stuff!
Here's a main cast shot for my fancomic Revenge Of Godzilla(sans Godzilla of course)! XD All Genesis 3 males and female. Colonel David Jackson, US army, Namiko Ogata(great grandaughter of Ogata from the '54 film) and her son Harou, and Tetsuyo Kaneko.
"Whom are you calling "manly" boy?" Original render and postworked one.
Wrath
There's a lot of detail in her face that doesn't show up very well in the "smaller," 800px wide image. The full 2600px by 2000px image is accessible via the Gallery page, here, as well as a full list of products used.
For a better view of the dForce draping of the robe, check out this post in the dForce thread in The Commons.
Here's a Revenge Godzilla picture based on a promo photo for the 1954 film.